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This weekend has been kinda crazy, so I'm a bit late getting to the sketches for the prompts I claimed for sketchfest 24. This morning's been pretty quiet at work, thus far, so I got a bit of sketching in. For [personal profile] ysabetwordsmith 's prompt 'nesting griffons', I drew these little guys:


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Today I participated in Sketch Fest.  I responded to the prompt, Medusa's Sorrow. Check it out!  :)
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Prior to the poem being funded and fully posted, I had emailed [livejournal.com profile] ysabetwordsmith with some of my thoughts about the poem “‘Stained” from the ‘Path of the Paladins’ poetry series. The conversation, conducted through a number of emails and PMs, went something like this:

Me (near the beginning of August): You know, I could write an essay analyzing this poem. It's so rich in multiple levels of meaning and symbolism.

Her: I think you should flesh this out. We can always post it as an essay after the poem is fully sponsored. I'm scholar enough to admire your analysis, and really, there just is not enough good literary analysis of speculative poetry. More is good.

Her, again (about three weeks ago): "Stained" was fully sponsored this morning… If you're still willing to flesh out that lovely essay for public posting, that can be done at your convenience now.

How could I refuse?  :) 


I apologize for the lack of cuts, but the journal entry editor is being stupid today.

The Symbolism of "Stained"

The poem "Stained", by [livejournal.com profile] ysabetwordsmith, presents a number of interesting symbols and parallels to further enrich the meaning of character and story elements found with the serial poetry series 'The Path of Paladins'. Key among them is the characters Ari and Johan, the Bright Temple and beams of sunlight in both material and metaphorical forms, conveying a powerful message of hope. 

In this poem, Ari is proving to play a greater role than that a typical sidekick for the primary protagonist to play off of. As has been established in an earlier poem, there are some important parallels between Ari and Gailah, the goddess of the principle character, Shahana. Both Ari and Gailah have survived a brutal attack and rape by male antagonists. Both, however, also show resilience and growing strength. In taking Ari under her wing, Shahana is not only rescuing the girl, but, in educating Ari in the ways of her faith, she is also in the act of rescuing the religion of Gailah. In this poem, Ari comes to represent divine presence, stepping beyond the parallels and seeming to act in the stead of the Goddess Gailah by displaying disapproval for Johan’s actions early in the poem and later reaching out to him in forgiveness. In particular, Ari consciously attempts to speak on Gailah’s behalf, upon Johan’s departure, when she whispers “Gailah knows,” planting the seed for Johan’s possible self-forgiveness in the future.

The topic of forgiveness is explored in an interesting fashion by the actions and statements of Johan. Outwardly, he claims no interest in rejoining the path of Gailah, claiming that She is weak. He even attempts to refuse Shanana’s much needed assistance in healing his injured arm. His actions, however, tell another story.  Shahana and Ari find him in a small roadside shrine dedicated to Gailah. The statue has been brushed clean by hand and a branch of blackberries has been laid in the offering. It may seem meager service, but it must have been dedicated and difficult effort for Johan, given the state that he was found in, with one arm crushed. Furthermore, the descriptions of him silently mouthing the prayers sung by Ari, and being found curled up beside Shahana in the morning, betray a desire to return to the fold. This contrast between his spoken and unspoken behaviour reveals an inner conflict. Between Ari’s thoughts on the situation, and Johan’s own admissions, it would appear that he feels unworthy of Gailah’s forgiveness, though this seems to something difficult for this previously proud man to deal with. His path to redemption, being further explored in the poem ‘Will Not’, will be interesting to follow.

In the poem, Ari brings up the topic of the Bright Temple, which served as home for the paladins of Gailah. Shahana mentions that the Temple is always open should Johan choose to return to it, to which he replies, “The bright temple was destroyed.” From here, Shahana brings up the point that only the physical temple was destroyed. This brings up the theme of where the heart of a faith lies. The founder of Aikido, Morihei Ueshiba, once wrote “One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.” For both Ueshiba and Shahana, the most important ‘temple’ that any religion possesses, is the one built within the spirit of its practitioners. Johan may currently see Gailah’s religion as being as being in ruins as the Bright Temple, but Shahana reiterates that, so long as there are those who hold true to the faith, the religion can always rebuild. The true temple is, in essence, one’s own faith.

Rebuilding is touched on in many other ways throughout the poem. There are mentions of tangible reconstruction, such as Shahana’s statement that the Bright Temple will be rebuilt one day, and the healing of Johan’s arm. Interestingly, these are both events that would be, or are, enacted through the power of faith, be it the resolve of more numerous future worshippers or divine intervention via the faith of Shahana. However, there is more subtle discussion of rebuilding through faith that is brought forth in this poem and others in the series. In this poem, Johan begins his journey in rebuilding his spirit, a process that will require him to renew his faith in Gailah and, perhaps more importantly, himself. This is suggested in the dialogue between Ari and Shahana towards the end of the poem where Ari states that whatever Johan is holding against himself will eventually be resolved by the knowledge that Gailah knows his struggle and understands. However, both Shahana and Ari, in their discussions with Johan, point out that nothing can be rebuilt as it was, something that Johan seems to be fixated upon as one reason not to move forward. Ari’s analogy of silk being dyed to match a stain is an eloquent description of this concept.

At the end of the poem, all of these themes and ideas are tied together with a single act. As Ari states that being aware of Gailah’s understanding of Johan’s inner conflict will eventually be enough for him to forgive himself (and, thus, rebuild his spirit), she smiles in a fashion described as being as “sudden as a sunbeam through clouds.” This gives a suggestion of the Bright Temple, which is earlier described as being “like yellow fire in the morning light.” Also, given how Gailah often reveals herself through beams of sun and moonlight, as well as other natural phenomena, throughout other poems in the series, this act also shows Ari as a surrogate for Gailah with another parallel. Finally, in being described as a beam of sunlight through clouds, this act becomes symbolic of hope; though things may be currently gloomy, a brighter future is in store. 


It is this message of hope, shown through the expression of faith, forgiveness, reconstruction, and divine presence, that seems to drive this poem and lends it power. As the characters from this poetry series battle against darkness and fight ever closer to a brighter tomorrow, we can not only see our own struggles within theirs, but also that beam of golden sunlight piercing through the clouds to shine upon our own world.


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This month's theme is urban fantasy. She's apparently already used one of my prompts "China is here" to create a poem. (Three guesses what film I got THAT prompt from.  XD  )

The Poetry Fishbowl is all about creating poetry based on prompts from the audience. Check it out!
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Sadly, I haven't really had much of a chance to spend much of the bonus I just got for the quality of my work. It seems I've been a little too over-enthusiastic with some aspect of my physical routine and have put my back out since last Wednesday, ironically the day before I was to attend a trial class at a local Aikido club I had recently discovered. Argh!!! Of course, having very fews options during which to spend my free time save re-enact my former life as a couch potato, I've been watching a fair number of films. Some are hidden gems; others maybe should have remained hidden.

Here's a quick run down:

Here's a quick run down: )
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So, between calls, I'm going to be attempting to roll out some sort of simple set of role playing rules to be used in a play-by-email RPG, as I've been really inspired by [info]rowyn's efforts with the game she's running and I'm thinking of starting one of my own some time in the not-so-distant future.

So far, I've decided on having 3 primary stats: Mightyness, Moxie, and Mojo. Mightyness would be cover all the physical end of things, like strength, agility, etc. You would use this score to determine: how readily one can strike a foe, amount of damage, dodging falling buildings, avoiding stepping in dog poop, etc. Moxie deals with all things mental, including hotwiring a car, researching paranormal phenomena, doing your taxes, etc. Mojo is the magic/spiritual stat and would include feats of willpower, psychic prediction, and skewing your odds of winning the lottery.

The three secondary stats would be derivatives of the primary (just like a colour wheel!). They would include Meat, an average of Mightiness and Mojo that would represent your general ability to resist and mitigate physical damage and how long you can run to avoid taking damage in the first place. Mana, an average of Moxie and Mojo, would, for most characters, work something akin to Force points in WEG Star Wars, representing Fortune smiling upon the character and allowing him or her to do something extraordinary. For those characters capable of casting magic, it will also dictate how much magical might a character can toss around in a given period of time. Finally, there is Monay, an average of Mightiness and Moxie, which represents the character's wealth and influence. It would be used for things like bribing security guards, flirting with the sexy member of the opposite sex, and ensuring you have change for the parking meter.

I'm thinking of having stats scores ranged on a scale of 1 to 9, with 4 being average untrained human. Die rolls would be resolved by players stating a number from 0 to 3, which would be multiplied by a randomly determined 1 or -1 and then added to the applicable stat. The result would be compared to a target number or an opposing roll.

Character generation would include a few Merits and Minuses, wherewith unusual abilities and disabilities could be purchased.

That's the system thus far. I welcome any suggestions as to how they could be tweaked or expanded.

As for campaign ideas, I've got the following rolling around in my head:

1) A modern martial arts comedy fantasy based at least somewhat on the film 'Big Trouble in Little China', where bonus Mana can be earned by the entertainment value of various postings.

2) A gritty urban fantasy based on the arrival of magic into the world, in a style similar to Shadowrun, only more contemporary.

3) Something nice and postapocalyptic! This could involve a rural or urban setting (compare Mad Max to The Warriors) and may or may not involve mutation (ranging from normal humans to mutant anthropomorphic animals, a la Roadhogs). 

4) Any other idea that might just catch my fancy between now and then (whizz one by me, if you're interested).

So, any of that sound interesting?

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Yep, now that we have good weather again, I'm back to watching Blue and Red haul off loads of dirt. Oh yay. As the excavator is carefully digging the ditches, it's taking them a long time to load the trucks. This is the second day of it. I'm so really, really glad I have access to a computer during all this. 

Granted, being forced to stay in one place has given me LOTS of time to do sit down things. With it, I have:

  • Done a lot of work transferring my favourite journals from PDC to here
  • Tagged a number of postings from my memories
  • Tweaked my resumes some more
  • Applied to a few more jobs online
  • Started getting involved in an e-mail RPG
  • Gotten more deeply involved in Scarybirds - a dark fantasy fiction collaboration site
  • Started a short story at said site
  • Engaged in a lot of correspondence
  • Finished off Knife of Dreams, by Robert Jordan (The Wheel of Time series rocks!)
  • Played far too much Zuma for my own good
  • Recorded a little work on my didge and a try out for a bit of voice acting

Yep, lots done! (Oh, there goes Blue.)

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Yep! I did manage to make that tour of Avebury, as well as Lacock (Harry Potter fans may now drool with envy.). The evening of said day was spent in London in the company of a lovely woman I met during the tour. Having been working and living in inner London for a while, she was able to point out a few places I didn't know about, key amongst them an excellent Mexican fast food restaurant that served up the best burrito I've had in years!

Check out my Avebury and Lacock albums here: http://s6.photobucket.com/albums/y220/CathartesAura/

In other news, marking is going well and I should be able to readily avoid burning midnight oil in a blind panic on Tuesday night to finish off for moderation when I get back on Wednesday.

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Courtesy of [livejournal.com profile] mionemione.

HASH(0x8881558)
You aren't a faerie at all! You are a Pixie! You
enjoy tormenting your faerie cousins, or
anything that sparks an interest. Trouble is
your middle name, you love it. You do not know
the meaning of consequences, or you just don't
care. You can play off at being a faerie, you
can be anything you want. Your moods change
from day to day, or minute to minute. For some
reason people like you, or you like people. No
one really knows the answer. You're a mystery
to yourself, but you like mysteries... The
world is your playground, you have fun playing.


What's your inner Faerie?
brought to you by Quizilla
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I snatched this quiz off of [livejournal.com profile] seshen's journal. I wound up with three results (typical: I can't even make up my mind in a fight!). In the alphabetical order, they are:

My sphere is Guardian (Person of great Love and Altruism), and my class is Arms Master (Pragmatic and Stout).

I am a Guard.

You are a true, versatile guard. You have a defensive nature, that is, you are good at instilling a sense of security in the places around you. A strong presence weakens any possible threats around you, and a swift, practical approach to the problems that crop up puts them down before they can get out of hand.

What kind of Warrior are you?




My sphere is Guardian (Person of great Love and Altruism), and my class is Champion (Self-Righteous and Confident).

I am a Hero.

You are true heroic material. You find great motivation in the things you love, and great inspiration in your sense of self-confidence, and your excellence. Once you get your mind set on a goal, you are nearly unstoppable, and given enough time, you will meet it.

What kind of Warrior are you?




My sphere is Guardian (Person of great Love and Altruism), and my class is Defender (Peaceful, yet Potent).

I am a Warden.

To be a Warden is to be the ultimate Guardian. Whether a physical Guardian or an essential Guardian, is up to you. You may be both. To be a physical Guardian is to be a living, breathing testament to the love you carry for a person, or people, whose lives you will always defend if you possibly can. To be an essential Guardian is to be a living, breathing testament to the security that your wards seek, and will look to you for your always kind, always nurturing support.

What kind of Warrior are you?

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